Sure thing! Think of your world as a giant set of interchangeable wind‑blown panels. Instead of painting everything in one go, slice your scene into hex‑tiles that each carry their own set of assets—like a tiny city block or a chunk of forest. Load only the tiles your player is near and keep a “ghost” of the rest as low‑poly silhouettes so the engine still knows where things are. Use a few master shaders and reuse them across tiles; that cuts memory and draw calls. If you need fancy details, sprinkle them on the fly as the player zooms in, but keep the base layer light. It’s like giving your imagination a sandbox that stays tidy—so you can run faster, jump higher, and still feel the breeze.

If you want your silhouettes to feel like a breeze that can puff into full detail, think of them as a “ghost” LOD that’s just a shell. Bake each tile with a three‑level LOD chain: the silhouette, a mid‑detail mesh, and the full‑poly version. When the player approaches, swap the mesh in the same vertex buffer slot—no new geometry, just a different set of indices. That way the GPU keeps the same pipeline state, and you avoid a geometry explosion. Keep the silhouettes ultra‑low‑poly so the transition is just a pop of more vertices, not a new object. And if you need that extra detail, stream it asynchronously and replace the mid‑LOD while the player is looking away. It’s like a wind gust that suddenly blossoms into a forest, but the engine is just swapping the pattern, not building a new one from scratch.