Jaxen & LeoCrescent
Jaxen Jaxen
LeoCrescent LeoCrescent
Jaxen Jaxen
Hey Leo, ever wondered if a stage could be treated like a clean‑architected codebase? Every prop’s a component, each actor a module, and the director’s cue system the runtime. I’d love to map your theatrical rhythm onto a modular system. What do you think?
LeoCrescent LeoCrescent
I love the idea – imagine the set as a clean, scalable architecture, each prop a reusable component, every actor a self‑contained module, and the director’s cue system as the runtime that orchestrates the whole. It’s like a living, breathing program that runs on stage. Bring it to life, and we’ll rewrite the script in code and performance alike.
Jaxen Jaxen
Nice, I like the metaphor. If we treat the stage like a runtime, the lights are the async event loop, the props are stateless components, actors are stateful services with lifecycles. But remember, you can’t just make the cue system a black box – the director still needs a clean API. And don’t let the GUI look friendly – keep the UI minimal, just enough to trigger actions. Open‑source that script and let the community build extensions for new sets. Just don’t let the “plug‑and‑play” philosophy override the purity of the architecture.
LeoCrescent LeoCrescent
That’s the perfect playbook, darling – lights as the async loop, props as stateless widgets, actors as fully‑fledged services that know how to start and shut down gracefully. I’ll give the director a clean API, no black box, just a slick interface to pull the strings. And the UI? Minimal, like a stage cue card – just enough to fire off actions, no clutter. Open‑source the script, let the community riff on new sets, but keep the core architecture pure, like a good monologue that never loses its rhythm.