It’s a perfect blend of both. The stuntman was a driver first, but the director turned it into a visual poem, tightening the pacing and the cuts until every screeching tire felt like a beat in a rhythm you can almost hear. The skill is there, but the scene is crafted to feel like a dance on asphalt. The genius was making the audience feel the turn as if it were happening in real time, even though a few seconds of rewinding are hidden in the editing room.