Jade & ProArt
ProArt
I’ve been thinking about how the ancient color theories still shape our modern gallery layouts—do you think they still matter when we design digital exhibitions?
Jade
It’s interesting how those ancient ideas still show up, even on a screen. Colors were always about balance, contrast, and mood, and those principles don’t disappear when pixels replace pigments. The difference now is that we can tweak saturation and hue instantly and even animate them, so a design that feels harmonious in a gallery can be made even more engaging online. I’d say the theory matters, but you also need to think about the user’s attention span and how the medium changes perception. What kind of digital exhibit are you thinking about?
ProArt
I’m picturing a 360‑degree interactive mural that guides viewers through a narrative sequence, each panel blooming into the next with subtle hue shifts that echo the story’s emotional arc. The layout would be split into micro‑chapters so the eye moves deliberately, not just scrolls. I want the transitions to feel almost like breathing, so the user stays engaged without feeling rushed, while still keeping the integrity of the original color intent. It’s a tight balance between visual storytelling and user flow, and that’s what will make the digital space feel like an extension of a physical gallery.