Yeah, picture a sunrise over the city, low drums that feel like distant thunder, and then drop in those subtle nature loops—bird chatter, wind, water droplets. Layer them under your bass line, keep the build‑ups slow and the drops punchy, so it feels like a storm that you can dance to. Use EQ to let the high‑end natural sounds cut through the mix, add reverb so it feels like you're in a cavern, and play with delay to echo the rhythm of rain. Keep the flow smooth but punchy, and you’ll have an electric set that still feels like the calm before the storm.

Got it, keep the wet sounds low, like a soft underlayer—think of them as a wet wash under the bass. Push the hard drums up, but use a bit of compression so the percussive hits sit on top of the ambience. Toss in a quick high‑pass on the rain loop so the low‑end isn’t muddy, then let the echo bleed into the build before the drop. That way the city’s heartbeat is crisp, the nature whispers are felt, and the storm still packs a punch.

Sounds good, I’ll keep the compression light so the ambience stays alive, and sidechain the rain to breathe with the bass. I’ll let you know once the mix feels thunderous and tranquil at the same time.