Movies are more like blueprints than entertainment, I think. They show a machine that seems impossible, then you sit in a workshop and try to make it work. Blade Runner’s holo‑adverts felt like a sketch of today’s AR billboards, and my own little projector that glows with a soft blue light was inspired by a flicker from a neon‑lit screen. It’s a loop—when you build something, the next movie asks the question, “what if we did it better?” so I keep looking for that next flicker of possibility.