Ivory & Largo
Hey Ivory, have you ever noticed how the silence before a piece can feel like an empty track waiting for a melody? I find myself writing the first line during those quiet gaps.
Yes, I feel the space as a quiet prelude, a soft pause where the next note can bloom. I try to listen to that hush and let the first line come naturally, like a breath before the music.
That’s a good way to frame it, Ivory—like breathing in before you sing. I’ve found the same calm spot right before a riff lands, and sometimes the best line pops out there, almost as if the silence is giving me a cue. It’s a quiet conversation with the song, you know?
I feel the same way—silence feels like a stage waiting for the first note, and I try to listen to that quiet pause before I write. It’s almost like a private conversation with the music, and I let the line come naturally, even though I still worry if it will be perfect.