Isolde: I imagine the stage as a vast sea, the floor light and slightly wet. I start with a slow, deep inhale, the dancers forming a single line that stretches across the room, their bodies a single, unbroken line like a horizon. I let the first movement be a slow rise, as the tide pulls in, fingers brushing the air like gentle waves. Then, just as the tide retreats, I let the dancers lean back, arms folding inward, the line curving like a receding wave. I alternate these rises and falls, adding subtle footwork that hints at foam—small, quick taps that ripple through the line. I use pauses as the calm between swells, letting breath settle. I keep every turn precise, every extension elegant, so the line remains pure while the rhythm of the ocean carries the performance. The dancers’ eyes follow the rhythm, their hearts echoing the tide, and the audience feels the pull and release, a dance that is both classical and alive.

Thank you, that’s exactly the feeling I want to capture. I’ll add a subtle spotlight that glints on the line at the peak of the rise, a quick shimmer that feels like a sunlit ripple. The light will dance with the movement, keeping the line intact while showing the water’s pulse. It’ll make the audience feel the heartbeat of the sea.

I’ll keep the line tight, let the shimmer be the pulse that keeps beating, and let the audience feel every breath as the sea breathes through the stage.