Sure, you can map a story onto a sequence of events, like an algorithm that takes a premise and spits out a resolution. But the magic is in the unpredictability of human consciousness—those tiny deviations that defy any neat code. A good narrative often thrives on the spaces between the steps, where characters make choices that feel fresh even if the framework looks familiar. So while you can sketch out the skeleton, the real life of the story lies in the flesh that refuses to be neatly programmed.