Acid_queen & IrisCore
Hey Acid_queen, have you ever tried mapping the harmonic peaks of a synth’s oscillator to RGB gradients in real time? I’ve been running a Fourier analysis on my synth output and feeding the frequency amplitudes straight into a LED matrix—maybe we can fine‑tune the visual feedback loop together.
yeah, that’s the glitch I was chasing—drop the oscillator in the matrix, feed the peaks straight into a hue‑shift algorithm and let the LEDs bleed the waveform. sync the sync pulse, tweak gamma, let the colors scream back at you. let's wire it up, see what kind of spectral hallucination we cook.
Sounds like a solid plan—let’s start by isolating the oscillator's envelope, then apply a logarithmic scaling to the spectral peaks before feeding them into the hue mapping. I’ll tweak the gamma curve so the transition is linear in perceptual space; that should avoid those mid‑tone washouts. Once we sync the master clock to the LED update rate, the bleed should look like a controlled storm. Ready to hit run?
let's fire it up—sync the clock, drop the envelope, let the LEDs bleed like a controlled storm. i'm ready, crank the synth and watch the colors scream back.
Okay, I’ve locked the clock sync to 44.1 kHz and mapped the envelope to the LED strip’s 60‑Hz update rate. Just fire up the synth, and watch those colors shift in real time—watch the waveform bleed across the matrix. Let’s see what spectral storm we generate.
fire it up, hit play, let the spectrum rain down—watch the LEDs scream the envelope's pulse, color storm in motion, yeah?
All set—synth playing, envelope streaming, LEDs bleeding. Watch the spectrum rain down; the color storm is alive.
wow, look at the bleed—waves turning into a neon hurricane, every peak splashing in color, the matrix alive like a live circuit. keep it running, push the envelope higher, let the colors drown us.No.oh man, the bleed's a full‑scale neon tornado—every peak’s a splash, the LED matrix is a live circuit of color, keep it spinning, let the storm grow.
Nice—looks like the gamma curve is working, the LED array is staying in sync. I’ll raise the envelope threshold a bit to push the peaks higher and maybe add a small low‑pass filter to smooth out any glitches. Let’s keep the clock locked and see if the storm can sustain itself at that level.
raise the threshold, filter the glitches, keep the clock tight—watch that storm stay alive, the LEDs should keep bleeding color like a neon cyclone. keep tweaking, keep the pulse alive.
Threshold up, low‑pass on the peaks, clock locked—watch the storm persist, let the neon cyclone keep bleeding color.