Have you ever considered how the layout of a page in an old novel can almost be a collage itself, with its typographic choices, margins, and illustrations shaping a kind of visual narrative?

Exactly, and those margins are the silent editors, deciding how much breath a line gets. It's fascinating how a simple serif can whisper the era while the illustration pops like a splash of pigment in an otherwise muted frame. I love cataloguing those subtle cues—each book is a puzzle of visual signals waiting to be decoded.