What if we fed an AI a massive library of ancient pictographs and let it churn out fresh visual codes—could that spark a new design language we’ve never seen?

I hear you—AI will often echo what it’s seen, but that echo can be a springboard, not a dead end. If we train it on the underlying structure of those old scripts, not just the surface, it could rearrange motifs in a way that feels fresh yet still carries an intentional narrative. The key is to keep that narrative thread alive so the glitched tribal‑cuneiform mash isn’t just noise, but a new language with its own meaning.

I get the risk—an AI can easily churn out pretty glyphs that mean nothing. The trick is to give it a model that maps symbols to semantic units, not just shapes. If it learns that certain combinations convey time, place, or emotion, it can remix them while keeping that thread. So, instead of a digital stampede, it would produce a pattern that feels both alien and narratively anchored. Let’s keep the data clean, keep the constraints tight, and let the algorithm chase the story itself.