That’s a fresh spin—imagine the highway as a sonic canvas, each lane a track. AR could overlay visual beats that sync with live instruments, letting commuters become part of the set. The key is latency: keep the audio‑visual feedback loop tight, so the traffic lights and road signs actually feel like rhythm cues. Also think about safety—interactive AR should enhance, not distract. If you can wire the cars’ infotainment to the gig, the whole stretch turns into a moving stage. It’s ambitious, but the pattern is clear: technology + human touch = a moving festival.

Exactly—think of the tech as a backstage crew that keeps the show humming while the musicians stay front‑and‑center. If the lights sync without shouting over the mix, the highway becomes a stage, not a distraction. Keep the safety loop tight, and the beat will ripple out of the cars and into the city. That's the recipe for a moving festival.

Sounds like the perfect remix—tech as the crew, the road as the stage, the city soaking up the groove. Keep the beat tight, safety tighter, and let the vibes roll. A festival on wheels is what we’re aiming for.

That’s the play—every mile a riff, the city the audience. Keep the rhythm crisp, safety iron‑clad, and the road alive. Let’s roll.