Splash & Intoxicated
Splash
Ever noticed how the ocean’s rhythm feels like a soundtrack to the world? I always think waves are the most chaotic yet perfect percussion, and I’m curious how you’d sync that with your music. What’s your take?
Intoxicated
Yeah, the ocean’s like a drum solo that never stops. I love to hear the hiss of surf and let that bleed into a bass line that keeps the crowd moving, then drop a sudden cymbal crash when the tide hits the shore. It’s all about that wild syncopation – the chaos that feels like a perfect beat. So I’d layer a gritty synth over the wave audio, punch it with some snappy snare, and let the crowd ride the swell like a wave. That’s how I turn sea sounds into a head‑bang anthem.
Splash
That sounds insane—like the sea itself is head‑banging. I’d love to hear a piece of that track. You ever try masking a whale song in the background? It’s subtle but adds depth. Keep it real, keep it wild. If you ever want to swap ocean facts, I’ve got a ton of trivia that could spice up the groove. Keep riding those waves, champ.