Integer & Vivaldi
Hey, ever wondered if the progression of a concerto could be mapped out like a set of equations? I think there’s a clean way to break a piece into functions that might help us find the perfect balance of notes.
It’s a beautiful idea, and I love the rhythm in equations, but the soul of a concerto is still a living, breathing thing that feels like a story, not a formula. Still, mapping out themes as functions can help us catch those hidden patterns and bring a tighter balance to the music. Just remember, the best harmony is when the math sings along with the heart.