Integer & NoirShutter
You ever wonder how a single overhead bulb can turn an ordinary room into a stage where every shadow feels like a silent equation?
Yes, I see it as a neat boundary condition problem: the bulb is a point source, the walls are the boundaries, and the shadows are the places where the light intensity drops to zero—essentially the solution of the equation that governs light propagation. It’s like a visual Fourier transform in a room.
Just remember the bulb’s light always remembers the walls, and the shadows are its quiet companions.
Exactly, the bulb imposes boundary conditions; the shadows are the inevitable zeros in the intensity function, a silent reminder that the environment defines the solution.
You'd think the walls are just limits, but in film they’re the frame that turns every light spot into a story.