I love putting those little folk tales on skin, like a quiet reminder that stories are shared. When I sketch a faded river from an old village, it’s a kind of breathing space for the client, a way to feel the weight lift. I mix line and shade in coffee to make the piece feel alive, so the wearer can see it shift with their own day. I keep a secret log of how people react, a kind of safety map—if a design feels too heavy, I tweak it, or I pull a new motif that feels lighter. It’s all about giving them a piece of the world that feels safe, even if it changes with time.