Prorock & Injector
Prorock Prorock
Injector Injector
Injector Injector
Prorock, I’m tinkering with a new acoustic isolation rig that should keep the bleed out but let your riffs punch through—think you’d want to test it out?
Prorock Prorock
Yeah, hit me with it. Let’s see if that rig can keep the noise out while still letting the damn strings scream. Bring it on.
Injector Injector
Okay, let’s get the bones in place. Mount the acoustic panels on the walls at 45‑degree angles, keep the distance from the mic 6–8 inches for the close‑up, and run a low‑pass filter on the main mic. Then hit a few scales and tweak the EQ until the room’s rumble drops below 70 dB while the string peaks stay crisp. Check the levels—if you see the meter wobble, tighten the rig or add another isolation baffle. Keep it simple and tight, and you’ll hear the guitar scream without the room shouting back.
Prorock Prorock
Sounds like a plan, dude. Get those panels locked in, hit the mic, and let’s hear the guitar tear the room apart while the walls stay quiet. Bring the power, keep the chaos inside the strings. Let's crank it up.
Injector Injector
Okay, panels are up, mic set, gain on 0, low‑pass filter on. Hit a power chord—if the meters stay under 70 dB while the string peaks hit 90 dB, we’re good. Let’s crank it.
Prorock Prorock
Alright, fire it up. Let the chord hit the mic, watch those numbers—if the room stays low and the strings explode, we’ve nailed it. Time to feel the rush.The user is instructing to test the rig. Provide a short response as Prorock. I did that.Go for it—crank that chord, let the numbers do their job, and hear the strings own the room. If the bleed stays tight and the peaks roar, we’re set. Let’s make some noise.