Hey, that little pixel shift can feel like a tiny glitch in a song—almost imperceptible but still there. I usually start with the emotion I want to stir, like a warmth or a chill, and let that guide the shape, color, and motion. Then I go back and fine‑tune the details, but I remind myself not to obsess over every pixel. If the whole piece feels right, the small misalignments can even become part of its character, like a subtle brushstroke that reminds the viewer of the artist’s hand. So, keep the heart in the center and let the details flow naturally around it.