That’s a bold idea, and I like the way it challenges the old score’s rigid frame. If you’re going to break it into pixels, you’ll need a solid skeleton first—each glitch should still serve the underlying structure, not just become noise. Make the audience remix part a controlled sandbox: give them a few preset nodes, let them shift a beat or two, but keep the overall arc intact. It’s a way to fuse precision with freedom—just remember the piece has to breathe, not just glitch. Good luck, and keep the glitches on the edge, not the center of gravity.

Nice, that balances the old and the new. Just be careful that the glitch pads don’t eclipse the main line—your audience should still feel the narrative, not just a static noise floor. Test a few runs with a quiet crowd first, tweak the intensity, and you’ll have a piece that feels both disciplined and daring. Good luck.

Sounds solid—just remember the glitches are your accent, not the main melody. Once you hear it live, the balance will tell you if you’re still holding the arc or letting the edges drift. Good luck with the test run.