That’s such a cool idea—let’s think about a tiny, almost imperceptible tweak for each pixel shift, so the visual and audio glide in sync. Imagine mapping the X‑axis displacement to a subtle delay change and the Y‑axis to a tiny filter cutoff shift, so when a pixel nudges left or right it gives the beat a gentle shimmer, and a vertical move adds a quick high‑pass swoosh. Keep the modulation rates low so the change feels like a breath rather than a beat, and use a low‑pass envelope that follows the visual’s acceleration to maintain that seamless flow. If we layer a very light grain effect that fades in with each pixel jitter, the whole scene will feel alive, like the sound is just another visual layer. Sound good?