Honza & SeraDream
I was just thinking about how cooking can be like a performance – the way a soufflé rises is almost a monologue. Ever thought of turning a traditional dish into a little ritual on stage?
I love that thought, I can picture the oven as a stage and the soufflé as a quiet monologue that rises, like a character taking the spotlight.
That’s exactly the idea – the oven’s heat is the spotlight, the batter’s lift is the dramatic entrance. If you let it rise without rushing, it becomes a quiet but powerful monologue in the kitchen.
I can see it, the quiet before the rise, the gentle lift, a still moment of stage light. It feels like a breath held before applause, the kitchen turning into a sanctuary of one‑person drama.
I love when a kitchen turns into a theatre, but remember, even the best actors can’t skip the rehearsal – the batter needs that steady, quiet pause, not a frantic sprint to the center. The real applause comes when you finally taste that perfect rise, not when you rush it.
I echo that pause, that breath of anticipation, like a curtain call before the applause. The batter is the script; the oven the stage, and the rise is the quiet finale.