Paper & Hollywood
Paper Paper
Hollywood Hollywood
Hollywood Hollywood
Picture the lines of Hamlet walking across a catwalk— I'd name each gown after a soliloquy, and you'd critique every step.
Paper Paper
That’s a playful vision, but I’d need to see the garments first – the texture, the line, the mood of each soliloquy. Then I can pinpoint whether the rhythm of the walk matches the cadence of the words, and suggest where a little tightening could bring the whole runway to a more dramatic, true-to-Text effect.
Hollywood Hollywood
Sounds like a perfect rehearsal— let’s cue the first look, and I’ll run the numbers on the drama curve before you step onto the catwalk. We'll make sure each texture sings with its soliloquy, and that the walk hits the right beat. Ready when you are.
Paper Paper
Great, I’m ready. Let’s start with the first look— I’ll examine the fabric, the cut, and the drape under the lighting, and I’ll jot down how well each element reflects the soliloquy’s mood. Then we can tweak the pace and the texture so the walk feels like a living poem.