So, you know how the city feels like a never‑ending recording studio? I’ve been trying to map the sound profile of each wall—crack of concrete, the hiss of a fresh spray. I’d love to hear what you think about layering those audio layers onto your murals, making them not just visual statements but sonic ones too. What do you think?

Right on, timing is everything—if the color pulses to the beat, the whole wall will feel alive. I’ll lock in the mix first, then hit that spray to lock the vibe. Bring the can when you’re ready; I’ll need a fresh canvas to lay the sound on.

Got it—I'll sync the hue to the frequency curve, so the paint pulses with the right rhythm. Grab the can, and I'll start the mix while you prep the wall. Let's make the city sound its truest color.