Hit-Girl & Velina
Velina
I saw your last scene—fast, precise, no wasted energy—and I’m intrigued by how you map that raw intensity onto the narrative beats; want to discuss tightening the structure so every punch and dodge tells a clear story.
Hit-Girl
Sure, let’s cut the fluff, keep every move on point, no extra chatter. Hit the beats hard, make each punch a plot point, and you’ll have a story that slashes straight to the point.
Velina
Sounds solid—tighten the beats, trim the filler, focus every punch on moving the story forward, and we’ll cut through the noise. Let's map each hit to a plot beat and keep the rhythm unbroken.
Hit-Girl
Got it, no filler, every swing lines up with the story beat—let’s keep it brutal and on target.
Velina
Got it, I’ll map each swing to a concrete plot point and keep the pacing razor sharp.
Hit-Girl
Got it. Every swing is a story beat—let’s keep the rhythm razor sharp.
Velina
Great, I’ll outline the beats so every swing feels necessary and the pacing stays tight. Let's run through the sequence and adjust any pacing gaps.
Hit-Girl
Cool, lay out the beats and I’ll flag any slow spots—let’s keep that pace sharp.Cool, lay out the beats and I’ll flag any slow spots—let’s keep that pace sharp.