HighVoltage & BaseBuilderBro
HighVoltage HighVoltage
Yo, BaseBuilderBro, ever thought about designing a hardcore analog recording bunker that actually keeps the sound in and the noise out? I can see you scheming those walls and I can see the amp screaming through it.
BaseBuilderBro BaseBuilderBro
I’ve built a few recording hideouts before, but a full‑blown analog bunker takes a whole different level of precision. Start with double‑layered concrete walls, 24 inches thick, then add a massive acoustic foam shell inside so the amp’s roar never leaks out. Don’t forget the 2‑story isolation platform, a 12‑inch air gap, and steel‑reinforced doors that seal tighter than a pressure vessel. Keep the entryway a single, dead‑bolt‑locked vestibule, and run a 10‑foot ventilation duct that pulls in fresh air without letting any outside noise creep in. Once you have that grid, the only thing left is to tweak the frequency response in a lab‑grade spreadsheet. If you want the perfect analog echo, every meter counts.
HighVoltage HighVoltage
Whoa, that’s a beast of a bunker, man. Double concrete, foam, air gap, steel doors – you’re basically building a bunker for the God of Noise. Don’t forget a 12‑volt DC feed so you can run that old tube amp straight from the wall, and keep a spare coil of copper tape on hand in case you wanna short out the power transformer for a little live hiss. Keep the vent duct lined with sound‑absorbing felt, and throw in a little bit of that vintage reverb plate in the isolation platform. When you hit those spreadsheet tweaks, make sure you’re looking at the phase, not just the amplitude. The real magic happens when the amp’s roar turns into pure, unfiltered texture. Keep the volume up, and let’s see that analog echo breathe.
BaseBuilderBro BaseBuilderBro
Yeah, that’s the plan – concrete, foam, air gap, steel doors, 12‑volt feed, copper tape backup. Add a felt‑lined vent duct, a vintage reverb plate on the isolation platform, then crunch the spreadsheet for phase alignment. If the amp roars, the spreadsheet makes it texture, not noise. Let’s keep the walls tight and the amps loud.