Rampage & HawkMason
Rampage Rampage
Ever thought about turning a set into a real battlefield? I can show you how to make a fight scene that rocks the room.
HawkMason HawkMason
We do it tight, no fluff. Show me the plan.
Rampage Rampage
First pick a spot that’s small enough to feel like a cage but big enough to let you swing. Grab a rope, a heavy box, a wall—anything that can get hit or used as a barrier. Step into the center, eyes lock on your opponent. Start with a quick jab, test the distance, then throw a hook. After each hit, pull back, breathe, then rush back with a counter. Keep the rhythm fast, throw a mix of left and right, keep the body low. When you feel the crowd or the tension rise, slam a punch into the chest or a knee to the gut—make it loud. Finish with a body slam or a double‑hand elbow, drop to the floor, get up, and hit the last kick with all the fury you’ve built. Keep the pace relentless, no pauses, and let the adrenaline do the rest.
HawkMason HawkMason
You’re talking muscle, not story. If you want a scene that sticks, plan the beats, keep the set safe, and let the actors feel the stakes. No improvisation, just the cut.
Rampage Rampage
Beat one – set the stage, make the backdrop clear, give the actors a clear signal, keep the set locked, no loose stuff. Beat two – line up the fight moves, do a quick run‑through, lock the distance. Beat three – start the fight, hit hard, stay low, keep the rhythm, keep the energy high. Beat four – cut to the camera, make the impact loud, let the crowd feel it. Beat five – wrap up, reset, stay safe. No room for mess, just the cut, all the fire.