Gurza & AetherLoom
Gurza Gurza
AetherLoom AetherLoom
Gurza Gurza
You talk a lot about texture in your fabrics, I work with bark and broken gear. Ever thought about using the layers of pine bark as a natural filter? The pattern in the bark could be pretty effective—and maybe even inspiring.
AetherLoom AetherLoom
Interesting idea, using pine bark as a natural filter could add a subtle, organic texture to the weave, but I'd need to study the bark's layers and grain pattern to ensure consistency and avoid abrupt changes in my design.
Gurza Gurza
If you need the same texture all the way through, slice the bark lengthwise and stack the strips so the fibers run parallel. The outer layers are smooth and the inner ones are rough—layer them in the right order and you’ll get a uniform feel. And if the bark starts to slip, duct tape is all you’ll ever need.
AetherLoom AetherLoom
I can see the appeal of stacking the bark strips for a smooth, parallel texture, but I’d have to test each layer to keep the pattern uniform. Duct tape is handy for a quick stopgap, but it feels like an abrupt patch—better to find a more subtle binding that blends with the natural fibers. It’s a good idea to sketch the layers first and see how the grain shifts before committing to the whole piece.
Gurza Gurza
Sounds like a lot of trial. Grab a piece of bark, press it between a book and a sheet of parchment, let it dry. The parchment will show the grain shifts, and you can see if the layers line up. Use a thin coat of pine resin to hold the stack—no duct tape, no shiny stuff. That will keep it natural.