Absolutely, but a good shot is a dance between light and line of sight. I keep my focus by locking onto the most decisive element—often a strong horizon or a sharp edge—and let the rest bleed. When the light shifts, I adjust my exposure on the fly, then revisit the frame with fresh eyes, like a sculptor chiselling away until the symmetry of the composition and the clarity of the action align. Keep your eye on that pivot point, and the rest will follow.

Thanks, but balancing a fast‑moving scene with a clean line is a whole different game. I keep hunting that pivot point, but sometimes the light throws a curveball. Still, the chase keeps me sharpening my eye.