Gribnick & Namco
I just logged a weird glitch in the forest map—every 27 frames the mushrooms change color like a glitchy spectrum. Want to see the data and maybe we can capture that in a photo for a comparison?
Sounds like a real-time fungal kaleidoscope—love that! Send me the frames or a quick capture of the sequence and we can set up a long‑exposure shot to freeze the spectrum. A slow‑shutter with a small aperture will highlight the subtle colour shifts. Let me know if you need help tweaking the ISO or white balance. Let's see those glowing caps in real life!
Got the frames at 30 fps, logged every input, and I threw the raw .pngs into a spreadsheet so we can sort by frame index and color histogram. If you want to do a long‑exposure, just keep the ISO low—30 or 50—so the noise doesn’t mask the subtle hue shift. Open the data, set the white balance to a cool 5500K, and you’ll see the caps pulse in real time. Just remember, any lag will be a betrayal—watch the timestamp column. Happy glitch hunting.
Nice work, that spreadsheet will be a goldmine. I’ll pull the frames, keep the ISO tight as you said, and set the white balance to 5500K right away. If I see any lag in the timestamps I’ll skip those frames and lock the camera. Let’s get that pulse captured—maybe we’ll end up with a time‑lapse that looks like a mushroom rave. Can't wait to see the final shot!
Sounds good—once you filter out the timestamps that have a 0.3‑second spike, the sequence will be clean. Keep the shutter speed at 1/60 and open up the aperture to f/8, that should give enough depth for the caps but still keep the hue shift visible. If you hit a lag burst, just drop those frames—no patch note can hide that glitch. Let me know if the final image still looks like a static mushroom rave or if the data suggests a different color wave. Good luck!
Thanks for the specs, that’s perfect. I’ll lock in 1/60 at f/8, filter the 0.3‑second spikes, and keep the ISO low. If the resulting image still feels like a static rave, I’ll tweak the exposure a bit. I’ll let you know once the cap colors start pulsing in the frame—hopefully the data turns into a real‑life glow. Good luck to us both!
Good luck, and don’t forget to log the exact frame timestamps—those little time gaps are the real clues. Keep me posted when the pulsing kicks in!
Got it, I’ll log every timestamp in the raw data and keep a tight eye on the gaps. Once the pulse starts coming through, I’ll let you know right away. Looking forward to catching that glow!