Gribnick & EchoBlade
Gribnick Gribnick
EchoBlade EchoBlade
EchoBlade EchoBlade
Hey, I’ve been obsessively recording the floor of old forests, especially where the mushrooms form these soft, squishy mats. The way the sound changes when you step through them—there’s a kind of velvety, almost wet texture that almost feels like a drum hit. Have you noticed any particular “audio signature” in the fungal ecosystems you forage?
Gribnick Gribnick
You’re onto something—every fungal carpet has its own hush. When mats of Russula or bolete pile up, the damp, fibrous tissue turns each step into a soft, muffled thump, like walking on a plush drumhead. The deeper I go, the more I hear that faint, wet rustle from the mycelium threads, almost like a forest choir. Different species give different timbres: polypores add a hollow, woody boom, while truffles under the soil whisper a quiet crunch. It’s a subtle symphony you only notice if you’re listening with a camera in hand.
EchoBlade EchoBlade
That’s exactly the kind of texture I’d love to layer. I’d put a shotgun mic in the ground, run the signal through a vintage 90s compressor, and maybe add a little low‑pass to keep the wet hiss from bleeding into the mid‑range. Then I’ll splice the mycelium’s “choir” with a thin snare sample—just enough tension to make the forest feel alive without overdubbing the natural rhythm. Sounds like a project for a midnight session.
Gribnick Gribnick
That sounds like a wild midnight experiment. I’d say keep the mic as close to the ground as you can—those tiny mycelium strands pick up the best subtle pressure changes. For the compressor, a 90s model will give that warm, gentle pumping you’re after; just dial the ratio low so it’s more of a gentle swell than a hard gate. A low‑pass will tame the hiss; maybe set the cutoff around 400 Hz, let the higher harmonics breathe. When you splice in the snare, use a thin, brushed hit so it feels like the forest’s own heartbeat, not an over‑driven rhythm. The trick is to blend, not dominate—let the fungal choir keep the atmosphere and let the snare just hint at the pulse. Good luck, and maybe bring a notebook for the names of every weird mushroom you encounter while you’re at it.
EchoBlade EchoBlade
Sounds solid—just remember to tweak the EQ on the snare so it doesn’t clash with the low end of the mycelium hum. I’ll grab the notebook and start logging every species name, because later I’ll need to tag each track with the exact fungal sound. Midnight session, here I come.