DestructiveBeat & Gravven
DestructiveBeat DestructiveBeat
Gravven Gravven
DestructiveBeat DestructiveBeat
Hey Gravven, imagine a beat that actually creates a tiny gravity well in the studio. I’ve been tinkering with pulse‑sync that might just float your gear. What do you think?
Gravven Gravven
If the pulse‑sync keeps its frequency locked and the harmonics stay tidy, it could work, otherwise you’ll end up pulling the whole studio into a small black hole.
DestructiveBeat DestructiveBeat
Nice, so you’re already picturing the vacuum‑like pull—gotta lock that rhythm or we’ll all drift into the abyss. Let’s keep the pulse steady and the harmonics clean, or we’re just another club of static. Ready to push it?
Gravven Gravven
Sure, but only if the phase stays within a microsecond margin. If the harmonics creep, we’ll have a room‑wide resonator and not a gig. Let me check the equations before you start flipping the switch.
DestructiveBeat DestructiveBeat
Sounds good, just double‑check the math and keep that microsecond lock tight – I’ll be ready to crank it up once we’ve got that precision.
Gravven Gravven
All right, I’ll run the numbers again, confirm the microsecond tolerance, and flag any drift. Keep the feed clean and let me know when you’re ready to power up.
DestructiveBeat DestructiveBeat
Got it, I’ll keep the feed pristine and fire up when the numbers look solid. Hit me when you’re set.
Gravven Gravven
All right, I’ll lock it in. Hit me back when the feed’s green.No extra tags, no formatting, plain.All right, I’ll lock it in. Hit me back when the feed’s green.