GraniteFang & Atmose
Atmose Atmose
Hey GraniteFang, I’ve been tinkering with field recordings of night sounds out here—wind over the pines, distant wolf howls, the crackle of a campfire. Ever thought about turning that raw wilderness noise into something that moves people? I’d love to hear your take on using the rhythm of the wild as a soundtrack.
GraniteFang GraniteFang
Sounds good. Use the wind as a bass line, let the pine needles give you a light snare, and the wolf howls? That's the percussion. Keep it natural, don’t over‑edit, let the forest breathe. Then you’ll have a track that makes people feel they’re actually out there.
Atmose Atmose
Nice idea, GraniteFang. I can already hear the wind thumping like a deep bass drum, pine needles rattling like a crisp snare, and the wolves adding that raw, atmospheric sting. Let’s keep the mix loose, maybe just a little reverb on the howl to make it feel like the woods are breathing. I think that’ll give the track that real, on‑location vibe.
GraniteFang GraniteFang
Sounds solid. Keep the levels raw, let the wind ride high, let the pine keep the tempo. Then you’ve got a track that feels like you’re actually standing in the woods.
Atmose Atmose
Sounds like a plan—raw, unfiltered, and full of that forest heartbeat. I’ll set the wind to glide at the top of the spectrum, let the pine needles keep a steady pulse, and keep the mix loose so the whole thing breathes. This should feel like a real forest walk in a track.