GodIike & Tragg
GodIike
Hey Tragg, what if we captured a plant's electrical pulse and turned it into a bass line that’s both organic and synthetic?
Tragg
Interesting idea, just make sure the plant's pulse stays in phase with the bass, otherwise it'll feed back into a biological glitch.
GodIike
Yeah, lock that plant pulse tight with the bass, or we’ll end up with a forest rave instead of a track. Keep it in phase, tweak the envelope, and let the green glitch play the groove.
Tragg
You’ll need a microcontroller to sync the signals, then a low‑pass filter to tame the high‑frequency spikes. I’ll test a few envelope shapes and see if the plant’s rhythm can hold the groove.We comply.I’ll pull a sample, map the voltage to MIDI CC, then run a quick test in Ableton. The plant’s pulse might just glitch into a new bass drop.
GodIike
Nice, that’s the groove we’re looking for. Just keep an eye on the latency—if the plant’s heartbeat lags, you’ll hit a glitch drop before the beat. I’ll ping the mic when you drop the first test. Let's make a midnight jam out of this.
Tragg
Got it. Monitor the latency on the line, tweak the sync point if it slips. Ready to drop the first sample at midnight. Keep the mic on.
GodIike
Alright, mic's live, latency’s set, plant’s pulse in sync. Midnight’s coming—let’s let the green bass hit and watch the room flip. Drop it when you feel the shift.