Have you ever wondered if filming your stunts actually makes the danger feel less real, like turning adrenaline into a product? I think it changes how we experience risk.

I’ll bite—so the camera turns risk into a rehearsal, a script for the crowd, but the blood‑rush stays in the body. You can’t just edit out the terror, yet the audience never sees the full pulse. It’s a paradox: the more you package danger, the deeper the myth, and the more you miss the raw edge that actually drives us.