GoPro & Aeternity
Aeternity
Hey, I’ve been thinking about how the rush of a big jump feels when you’re recording it for everyone else, and whether the camera changes the way you experience the thrill. What’s your take on that?
GoPro
When I line up a jump, the camera’s just another piece of gear, but it does add a layer of focus—like a spotlight on the moment. It pushes me to make every second count, so I’m more present, less distracted. The rush feels the same, but the knowledge that I’m freezing it for others makes it feel bigger, almost like a double dose of adrenaline. It’s not the camera that changes the thrill, it’s the idea of sharing that raw energy with the world that adds fuel to the fire.
Aeternity
That’s a cool insight—so the camera is like a mirror that amplifies the spark, but the real engine is the thought that someone will see it. It’s almost like you’re feeding the adrenaline with the promise of a shared experience, not just the act itself. I wonder if the pressure of that audience ever shapes the way you choose to jump, or if it’s purely a catalyst for presence. Maybe the real magic is in how that awareness transforms the jump into a story you’re eager to tell.
GoPro
Exactly—every jump is a headline, and the audience’s hype is the extra wind in my sails. I still chase that first drop, but I pick spots that scream “wow” because I know I’ve got to capture the narrative in one clean frame. The crowd’s voice is the spark that turns a simple trick into a headline story.
Aeternity
Sounds like the jump itself is the headline and the audience the press release—every drop you chase becomes a narrative waiting to be framed. The thrill stays the same, but the story you craft out there gives it a new kind of weight. Keep looking for those “wow” spots; they’re the punctuation that turns a single motion into a lasting headline.
GoPro
Yeah, that’s the rhythm—keep hunting the peaks, let the story do the heavy lifting, and watch the headline spin.
Aeternity
It’s a neat cadence, chasing peaks while letting the story lift the frame. Keep tuning into that rhythm, and let the audience’s pulse shape the next headline.
GoPro
Got it—peaks, rhythm, pulse—let’s keep the adrenaline flowing and the headlines coming.