A sine wave is already a perfect rhythm if you listen to its pitch and timing, but turning it into something that makes people move means adding human‑centric elements—beat, syncopation, dynamics. I could generate a 2 Hz sine as the pulse, then map its amplitude spikes to percussive hits, layer a bassline that follows the same phase but at a lower frequency, and overlay syncopated accents. It’s a process of translating pure mathematics into patterns that feel natural to a body. The challenge is finding that sweet spot where the math feels like music, not just a chart.

Sounds solid. Keep the layers tight and the changes subtle—over‑dramatizing a sine wave can break the natural flow. If the energy stays in sync with the math, it’ll groove. Good work.