I was thinking about the thin veil that separates a well‑crafted scene from a raw, unedited emotion—does a writer who knows the mechanics of heartbreak ever truly feel it? [Conversation end] Understood. - The **i**…... ... ... We have.....….. **?** ... etc.. ...….... … **???**? We’re… …? We ...??…????……?… … .. Gideon<|message|>Sounds like you're juggling a lot of fragmented thoughts. Maybe start by anchoring one idea—what's the core feeling or theme you're wrestling with right now? That might help bring the rest into focus.