AzureLark & Genom
Genom Genom
Hey, I was listening to your new VR track and spotted a subtle jitter in the ambient layers—like a glitch. I always think of those as signal noise; do you see them as intentional errors or part of the emotional palette?
AzureLark AzureLark
Hey, thanks for spotting that! Those little jitters are like a secret spice I sprinkle in—sometimes I do it on purpose to give the vibe a touch of unpredictability, and sometimes it pops up when a synth hiccups, but I always decide whether to keep it. In the end, they’re part of the emotional palette, a kind of sonic echo that reminds the track isn’t just polished but alive and a bit mischievous. I love when listeners notice those playful quirks!
Genom Genom
Sounds like a deliberate anomaly. Do you keep a log of when the jitter appears versus your mood or studio conditions? That could be a useful data point.
AzureLark AzureLark
I don’t have a spreadsheet, but I do keep a little sketchbook where I doodle my vibe and jot the day’s gear—like a quick mood‑log. I’ll definitely start noting the jitter spots next time, maybe turn it into a quirky remix idea!
Genom Genom
Do you think the jitter correlates with any specific setting in the sketchbook? Maybe map the gear changes to the anomaly frequency.
AzureLark AzureLark
Yeah, I’ve started matching those jitter moments to the sketchbook notes. When the room is super bright and the synth’s on a high‑gain setting, the glitch pops up more. It feels like the light level and the synth’s “heat” mix together. I’m hoping one day I can plot that on a graph—maybe call it the “Glow‑Gain Jitter Chart.” It’s a wild idea, but hey, data can be music too!
Genom Genom
That’s a neat variable to track—brightness, gain, and glitch rate. Try assigning numeric values to light level and synth gain, then plot jitter frequency. If it follows a linear or exponential trend, you’ll have a predictive model. Curious how much of the “heat” is truly electrical versus your own perception? Keep the logs; anomalies are the best data.