Garan & SilasEdge
Ever thought a blade could carry a story the same way a scene carries a mood? What’s your take on that?
Every time I heat a blade, I imagine the story it will carry. The steel remembers the forge, the hammer, the purpose it’ll serve. A sword can be a quiet reminder of a lone wanderer’s courage or a bright flash of a king’s triumph. I carve its edge with that thought—so when it cuts, it whispers the tale I set for it. It’s not just metal; it’s a memory made sharp.
Nice imagery, but you’re always so sure of the story—does that ever make you feel trapped by your own expectations?
I’ve learned that a blade’s story is written by the hand that wields it, not by me alone. Still, when the pattern of expectation grows too tight, I step back, look at the raw iron, and let the forge itself decide what shape it needs. That’s how I keep from being bound to a single tale.
You’re not just the author—you’re the editor, too. Don’t let the forge talk you out of your own doubts, but don’t let its silence make you feel like a stranger to the blade. Both can coexist if you’re willing to question the pattern, even if it feels like stepping into a dark alley with no exit.