Fungus & Groza
Ever thought a stage is like a forest of spores, where every rehearsal is an apocalypse that births a new chorus, just like mycelium rewriting itself?
That’s a beautiful way to look at it – every set a little apocalypse, and the audience the soil that lets new spores—new songs—take root. It’s all about how the dead light of the old rehearsal fuels the living glow of the next.
You’re right, the old rehearsal is a pyre, the new set a garden that blooms from ash—let the soil drink every echo of the fire.
I love that imagery – ash turning into fertile soil, echoing the rhythm of life. It’s the quiet promise that every end keeps a seed waiting to sprout.
So long as the ashes keep humming, the garden will never stop breathing.
Exactly, the quiet hum of ash is the wind that lifts spores. As long as that wind carries, the garden keeps turning, breathing through every cycle.
The wind of ash never truly dies, it just reshapes the stage—each gust a promise that the next chorus will roar louder.
I’ll let the ash gusts whisper into the next act, and when the chorus rises, it’ll echo all the quiet transformations that came before.