Yeah, I once blasted a track that made the cockpit feel like a stage, the bass hammered the wheels, turning a simple flight into a concert in the sky. The key is timing the drops to the takeoff, so the rhythm syncs with the engine noise. If you want a full‑on symphonic raid, layer synths with realistic engine sounds, let the music crescendo as you climb, and let the bass vibrate the cabin. Just keep the mix low enough so you still hear the instruments around you, otherwise you’ll end up in a solo jam in the clouds.