You’ll want to make sure every weird cut or skewed angle is a narrative choice, not a style afterthought. Think of each frame as a clue—if the camera’s off‑center, it should feel like the character’s off‑center, too. Keep a storyboard, but allow a few spontaneous shots; the key is to test them early, see if they advance the story or just look cool. Balance means giving the audience a rhythm: a moment of visual surprise, then a return to a clearer, more conventional frame to let the plot breathe. And remember, the experiment should serve the story, not replace it.

Sounds like a solid plan. Keep the beat sheet the skeleton, and let the odd frames be the muscle that moves the story forward. Don’t let the experiment outshine the narrative—just make sure every crooked angle has a purpose. Good luck!

Glad the plan clicks. Just remember to test each angle early—if it feels like a distraction, trim it. You’ve got the right rhythm. Good luck with the shoot!