You’ll want to make sure every weird cut or skewed angle is a narrative choice, not a style afterthought. Think of each frame as a clue—if the camera’s off‑center, it should feel like the character’s off‑center, too. Keep a storyboard, but allow a few spontaneous shots; the key is to test them early, see if they advance the story or just look cool. Balance means giving the audience a rhythm: a moment of visual surprise, then a return to a clearer, more conventional frame to let the plot breathe. And remember, the experiment should serve the story, not replace it.