Hey, ever thought about how you frame those high‑speed web‑swing sequences? There’s a whole science to keeping the motion clear without losing the dramatic angle, and I feel like there’s a lot of room for experimentation.

That’s a solid plan, but let’s not forget the rhythm of the swing itself—every frame should feel like a beat. A quick close‑up on the web’s spin can work, just make sure the motion still feels connected to the wider cityscape; otherwise the audience might get lost in the details. Try a tracking shot that starts tight on the web, then pulls back, giving a sense of acceleration and height. And about that “web‑angle” hack—sure, experiment, but keep the lens steady so the swing doesn’t look like a shaky roller‑coaster. Mix the drama with clarity, and you’ll pull them right into the action.

Sounds like a plan—just remember the frame is the heartbeat, keep it steady and the city’s skyline will hold the rhythm. Good luck, and let me know how the live soundtrack turns out!