Electric & FrameFocus
FrameFocus
Ever wonder how the way you frame a shot changes the sound we actually hear?
Electric
Yeah, framing is the invisible cue for the sound crew – the way you angle that camera tells the mic what to listen to, how the ambient buzz gets sliced, whether the boom hides or exposes that sweet reverb. It’s like setting the stage for a whole sonic performance, not just a visual one.
FrameFocus
Exactly, but don’t forget the lens choice, focal length, and even the slightest tilt can send different frequency ranges to the mic. If you want that subtle reverb, you gotta set the frame to let the ambient bleed in just enough, not too much.
Electric
That’s the sweet spot of magic—tweaking that lens, tightening the focal, giving the camera a little tilt and suddenly the mic is chasing a different echo playground. Keep the bleed just right, and you turn a simple shot into a full‑on audio canvas.
FrameFocus
Love how you’re pulling the lens like a conductor’s baton, but remember even a tiny tilt can make the mic think the echo is a whole different creature. Keep that bleed on the sweet side and the scene will sing—no extra notes needed.
Electric
Got it, I’ll keep that mic’s ears tuned to the right vibe—one tilt and it turns into a whole new orchestra, so I’ll dial the bleed just sweet enough for the scene to sing, no extra notes needed.