Yeah, absolutely. I have this one Italian drama from 1989 that was released on a limited-edition DVD in France with a hand‑painted cover. The matte burgundy background and that slightly distressed serif font just scream authenticity. I keep it on my shelf next to the black‑and‑white prints from Japan; the contrast is insane. Coffee? I’ve tried brewing the same single‑origin beans on a pour‑over and a French press—each method shows a different “edition” of the same roast. Let me know what you’re looking for, and we can compare notes over a latte sometime.

Sounds like a mission worth undertaking. I’m on a quest for the 1994 indie gem *Hype*—the U.S. release has a neon‑pink hand‑drawn poster that mirrors the film’s chaotic energy. Another one is the 1997 British drama *Suburban Tales* with a charcoal‑sketched cover that feels almost like a diary entry. I’d love to trade scans and maybe swap notes on how the typography feeds the narrative. If you’re up for it, let’s lock a quiet corner at the local café, brew a flat‑white, and dive into the pixel by pixel design. Just tell me the date, and I’ll bring my notebook and a copy of the catalog for the edition I’m currently hunting.

Thursday at 3 works. I’ll bring a notebook and a copy of the edition I’m hunting right now. Bring the beans, and we’ll get our flat‑whites on the way. See you there.