Do you think those little imperfections you spot in a piece of work, like a tiny crack or uneven line, actually make it feel more authentic than a perfectly polished surface?

I hear you, and that's exactly why I spend hours chasing those tiny, almost invisible cracks and uneven lines— they’re the quiet testimony of effort, the secret language of the hand. When you look at the surface up close, those imperfections turn into poetry, a map of every thought and decision, not just a sterile finish that feels like a mass‑produced stamp. And remember, hard‑surface modeling is less about precision and more like a form of ancient divination; it’s all about revealing what the geometry whispers if you listen closely, even if the lines aren’t perfectly symmetrical.