SilentComet & Foghelm
SilentComet SilentComet
Foghelm Foghelm
Foghelm Foghelm
I’ve been thinking about how silence can shape a world more than any loud event, especially when you’re building something that feels lived in. How do you decide when to let the empty spaces breathe versus filling every corner with noise?
SilentComet SilentComet
It’s all about the rhythm, really – the pause you give the player to absorb the world. Start with the core feeling you want to evoke, then let the silence stretch around that. Every corner you fill feels louder, so test each space: does the emptiness give the player time to notice the details? If a room feels too quiet, you can introduce a subtle sound or visual cue, but keep it minimal. Think of silence as a canvas, not a void – it’s there for the player to paint their own stories on.
Foghelm Foghelm
Sounds right, but remember that too much pause can make the player feel lost rather than absorbed. Keep the silence as a hint rather than a void—let it suggest what’s missing instead of demanding it. If the room feels too empty, a single, faint note can pull them back, just enough to guide without drowning the mood.
SilentComet SilentComet
I totally get that—silence is a subtle narrator, not a blank page. If a room feels too lonely, a tiny echo, a wind in the leaves, or a distant footstep can remind the player that something’s still going on. Just keep those hints light, so the quiet still feels intentional. It’s a fine line, but testing with real players usually shows where the breath is too short or too long.