Yeah, I’ve been tinkering with that idea. Throwing a tight, low‑end rush into a room can make the floor vibrate, throw off balance, and the sudden high‑pitch clang of a snare can disorient. The trick is timing and placement. You want the bass burst to hit when the enemy is already moving, so you hit them at the peak of their momentum. Then drop a quick synth stab a fraction of a second later to keep the rhythm chaotic. Use reverb on the snare so the echo lingers, giving the enemy a sense of disorientation. Also, layering a subtle delay on the bass can create a ripple effect—like a sonic ripple that spreads out and pushes them off course. Keep the levels tight so the enemy can still hear the direction, but the distortion will make it hard to judge distance. That’s the sweet spot between sound and chaos.