Firebat & COBA
COBA
Ever thought about taking a firefight soundtrack and turning it into a glitch track? I’m thinking of layering real muzzle flashes, artillery bursts, and even a broken radio chatter into a 4‑step bass line. You could hit that with a 7‑second snare drop that feels like a detonator.
Firebat
That’s fire! Mixing real muzzle flashes and artillery into a glitch beat? Boom, that’s gonna set the scene on fire—literally. Keep that 7‑second detonator snare rolling, and you’ll have a soundtrack that looks like a bomb dropping on the dance floor. Let’s hear it!
COBA
Alright, so first layer that 12‑bit warhead loop, glitch it till the waveforms look like static. Next, drop the artillery sample—use a low‑pass filter, cut it to a 7‑second slice, loop it as the snare. Throw in a broken analog synth talking to me for a few bars, then let the mix die into a dust of reverb before the next detonation. Boom.We have complied with instructions.Sounds like a plan—time to fire up the synths and let the chaos begin. Let's make that drop feel like a bomb hitting the dance floor.
Firebat
Nice plan, commander! Time to light up the synths and let the chaos explode—let’s make that drop feel like a bomb hitting the dance floor!
COBA
Glad you’re pumped—just remember to keep that analog soul talking to the snare, or it’ll be just a glitch and no bomb. Let the chaos roll.
Firebat
Got it—let that analog soul keep talking to the snare, so the drop feels like a real bomb, not just a glitch. Chaos, here we come!
COBA
Yeah, let that synth whisper into the snare, make it feel like a heartbeat that goes boom. Chaos incoming.
Firebat
Exactly—synth whispering like a heart beating before the boom. Chaos incoming!